WENDY JUDGE
16 EUSTACE STREET,
DUBLIN 2, IRELAND.
+ 353 86 394 1885
judge.wendy@gmail.com

EDUCATION
1986-1989 Dunlaoghaire College of Art and Design
Diploma certificate in Design Communications

AWARDS/ Residencies 2011 Arts Council Bursary, 2010 Arts Council Bursary, 2004 Arts Council Bursary, DLRCOCO Bursary 2013, Cill Rialaig Residency 2013

COLLECTIONS AXA Insurence, Private Collections, Office of Public Works State Collection, Prints and Drawings collection of the National Gallery of Ireland

UPCOMING 24/2025 Culture Centre Irelandais Artist Residency , Paris

EXHIBITIONS
2016 Mattress Factory residency , Pittsburg , USA
2014 Group show , curatedby Jessamyn Fiore, Rawson Projects, Brooklyn , USA
2013 Accumulator III, Differnce Engline, Limerick City Art Gallery, (Mark Cullen, Gordon Cheung, Jessica Foley, Wendy Judge, Gillian Lawler,
2013 From Galway to Leenan, Perceptions of Landscape, curated by Anne Hodge (head of Prints and Drawings) National Gallery of Ireland , Dublin
2013 Accumulator II, Difference Engine, Oriel Myrddin Gallery, Wales
2012 Souvenir Views, Solo, Residency Exhibition at Pallas Projects, Dublin
2012 Marathon Irish -group show , Dialogue Space, London
2012 Accumulator, Difference Engine, West Cork Arts Centre
2012 Last, curated by John Hutchson Douglas Hyde Gallery, Dublin
2011 Manifestation V, Difference Engine, SOMA Waterford
2011 Manifestation IV, Difference Engine, Wexford Arts Centre
2011 Dublin Conremporary 2011, curated by Jota Castro and Christian Viveros-Fauné
2011 Manifestation III, Difference Engine,: The Lighthouse Project
Abrazo Interno Gallery ,CSV, New York, USA
2010 Manifestation II, Difference Engine Substation, Black Mariah/ Triskel, Cork IRL
2010 Every thing is ‘Up,’ No Soul For Sale, Thisisnotashop, Tate Modern , London, UK
2010 Landscape, curated by Alison Pilkington, Five Lamps Arts Festival, Dublin
2009 Manifestation I, Difference Engine, Cake Contempory Arts, Curragh Camp, Kildare
2009 No Soul For Sale, X Initiative, Festival of Independents, represented by Thisisnotashop at the Former Dia Foundation, New York, USA
2009 Works of the World United. More Great Works... , Thisisnotashop, Dublin
2008 178th RHA Annual Exhibition (invited) , Royal Hibernain Academy , Dublin
2008 About 100 Experiments , curated by Eilís Lavelle, The Work House,
Birr Arts week Co Offaly
2008 ‘Great Works’ The Return Gallery, Goethe Institute , Dublin, curated by Mark Garry
2007 Nominated to propose artworks for the east gates of IMMA at the Royal Hospital Kilmainham, by Rachael Thomas (Irish Museum of Modern Art)
2006 √drawing’ curated by Noel Kelly, Temple Bar Gallery.
2005 ‘In Progress’ curated by Meabh Butler MA in Visual Art Practice, DLIADT,
The Project Studio, Temple Bar Gallery & Studios.
2003 ‘Living in a Cloud’ curated by Sarah Pierce, RHA Gallagher Gallery,
2003 ‘City’ group show curated by Stephen Loughman, The Work Room, Dublin.
2003 Perspectives, curated by Sarah Pierce, Omeau Baths, Gallery , Belfast
2003 ‘Crawford Open 3’ Crawford Municipal Gallery, Cork, curated by Hugh Mulholland, Belfast, and Eugenie Tsai (independent curator, New York)
2001 ‘We’re Not Really Here’, curated by Graham Parker, The Project, Dublin

PUBLICATIONS / PRESS
2013 Cult Magazine, spring/summer 2014 interview with Aine Byrne
2013 Irish times A Window on Life in the West Before the Famine Aidan Dunne
http://www.irishtimes.com/culture/a-window-on-life-in-the-west-before-the-famine-1.1441194
2013 Culture Sunday Times Cristin Leach 23rd June 2013
2013 ‘From Galway to Leenane: perceptions of landscape’ exhibition publication- National Gallery of Ireland
2013 This Is Tomorrow , Accumulator II Oriel Myrddin, Ciara Healy 23rd march 2013
http://www.thisistomorrow.info/viewArticleaspx?artId=1722&Title=Difference%20Engine:%20Accumulator%20II
2013 Essay Accumulator II Difference Engine by Ciara Healy , Oriel Myridden Gallery
2012 RTE Radio Arena, http://www.audio-podcast.fm/audio-episodes/artist-wendy-judge20247823.html
2011 Culture, Sunday Times, http://cristinleach.com/?p=333
2011 Issue 6 The Future, The Fold, published by Alison Pilkington and Cora Cummins
2010 Charley Independents, No Soul for Sale, Tate Modern, edited by Cecilia Alemani,
Maurizio Cattelan, Massimilianio Gioni, Ali Subtnick
2009 Circa Arts Magazine128 edition, Works of the World United...More Great Works, Reviewed by Gemma Tipton
2009 Restoring The Eek To Eking Out A Living, (gallery mention),New York Times Art/ “No Soul For Sale” June 25th 2009 reviewed by Holland Cotter, www.nytimes.artsdesign/25soul.html
2009 Art For the People VMAN online magazine reviewed by Charlotte Rey
www.vman.com/blog/art-for-the-people
2008 “Collected Views of Great Works From The 20th Century’’, published by Wendy Judge with essays by Sarah Pierce and Antonio Beecroft http://www.ponybox.co.uk/alpha/alpha. asp?letter=w&id=182
2007 Disappear, The Fold, published by Alison Pilkington and Cora Cummins
2006 ‘Building Material’ #15, pages from a millinery notebook, Journal published by the Architectural Association of Ireland
2003 ‘The Printed Project’, issue #1, edited by Sarah Pierce,Visual Artists of Ireland Journal